Título :	A cidade toda em contramão : uma leitura da hipermodernidade nas canções contemporâneas de Chico
Autor :	Lima, Brunna Guedes Marques de
Orientador(es)::	Cyntrão, Sylvia Helena
Assunto::	Cultura Identidade Buarque, Chico, 1944- Música popular - Brasil Canção contemporânea
Fecha de publicación :	15-may-2015
Data de defesa::	19-mar-2015
Citación :	LIMA, Brunna Guedes Marques de. A cidade toda em contramão: uma leitura da hipermodernidade nas canções contemporâneas de Chico. 2015. 175 f. Tese (Doutorado em Literatura)—Universidade de Brasília, Brasília, 2015.
Abstract:	This research aims at identifying the way the collective imagination is represented in the hypermodern context with the symbolism issued in the lyrics of the Chico (2011) album, by Chico Buarque de Hollanda. Knowing that music, communication, culture and daily life are intimately connected, and thus essential to the understanding of the current technological and media oriented societies, this paper’s objective is to interpret the complex relations between them by analyzing the repercussions of the musical elements in the society as model of consumption and cultural representation. The analysis presented in this paper has as reference Gilles Lipovetsky’s reflexions on the ongoing shifts, breakthrough movement, discontinuity provided by the 20th century, hypermodernity concepts and its investigations: the identities, the consumption, the media, the globalization, and the relationships, paying attention to the social, political, geographical and cultural influences on the formation of these role models on the western society. This way, the hybridity of the popular music and the symbolic density of the poetic lyrics also operate as elements of cultural and aesthetic signification that help the hypermodern person to rescue the fragmentation and to look for the way to the integration and the completeness. The study of the poetic lyrics verifies in which ways the artist, as a man of the city, conducts the existential questions that help him produce in the 21st century, and which senses he mobilizes in the multifaceted approach of his work. It’s also possible to recognize the changes the artist has gone through throughout time by the chronological analysis of some of his relevant biographic data, and the way his “persona”, formed in midst of his personal life, lived in the city of Rio de Janeiro, where he lives, is revealed as discursive voice in his work. Understanding that the song may reverse the process of estrangement/separation, resizing the way contemporary reality is processed, in his last album Chico Buarque appeals to the memory (either the poetic memory of the lyrics in his past compositions or his own personal existential memories) as subject of his songs’ lyrics, which refreshes and align his work to the hypermodern context.
metadata.dc.description.unidade:	Instituto de Letras (IL) Departamento de Teoria Literária e Literaturas (IL TEL)
Descripción :	Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, Doutorado em Literatura, 2015.
metadata.dc.description.ppg:	Programa de Pós-Graduação em Literatura
Licença::	A concessão da licença deste item refere-se ao termo de autorização impresso assinado pelo autor com as seguintes condições: Na qualidade de titular dos direitos de autor da publicação, autorizo a Universidade de Brasília e o IBICT a disponibilizar por meio dos sites www.bce.unb.br, www.ibict.br, http://hercules.vtls.com/cgi-bin/ndltd/chameleon?lng=pt&skin=ndltd sem ressarcimento dos direitos autorais, de acordo com a Lei nº 9610/98, o texto integral da obra disponibilizada, conforme permissões assinaladas, para fins de leitura, impressão e/ou download, a título de divulgação da produção científica brasileira, a partir desta data.
DOI:	http://dx.doi.org/10.26512/2015.03.T.18175
Aparece en las colecciones:	Teses, dissertações e produtos pós-doutorado

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