Campo DC | Valor | Idioma |
dc.contributor.author | Venturelli, Suzete | - |
dc.contributor.author | Reis, Artur Cabral | - |
dc.contributor.author | Mutti, Gabriela | - |
dc.contributor.author | Florindo, Nycacia Delmondes | - |
dc.contributor.author | Hargreaves, Prahlada | - |
dc.contributor.author | Oliveira, Rodolfo Augusto Melo Ward de | - |
dc.contributor.author | Martins, Tainá Luize | - |
dc.date.accessioned | 2019-08-08T14:16:16Z | - |
dc.date.available | 2019-08-08T14:16:16Z | - |
dc.date.issued | 2019 | - |
dc.identifier.citation | VENTURELLI, Suzete et al. Affective computational interfaces. In: Marcus A., Wang W. (ed.). Design, user experience, and Usability: design philosophy and theory. HCI INTERNATIONAL 2019. Cham: Springer International Publishing, 2019. p. 510-520. (Lecture Notes in Computer Science, vol 11583). | pt_BR |
dc.identifier.uri | http://repositorio.unb.br/handle/10482/35264 | - |
dc.language.iso | Inglês | pt_BR |
dc.publisher | Springer Nature Switzerland AG | pt_BR |
dc.rights | Acesso Aberto | pt_BR |
dc.title | Affective computational interfaces | pt_BR |
dc.type | Trabalho | pt_BR |
dc.subject.keyword | Interfaces (Computadores) | pt_BR |
dc.subject.keyword | Poética | pt_BR |
dc.subject.keyword | Afetividade | pt_BR |
dc.rights.license | Autorização concedida ao Repositório Institucional da Universidade de Brasília (RIUnB) pelo servidor Rodolfo Augusto Melo Ward de Oliveira, em 06 de agosto de 2019, para disponibilizar o trabalho, gratuitamente, para fins de leitura, impressão e/ou download, a título de divulgação da obra, a partir desta data. A obra continua protegida por Direito Autoral e/ou por outras leis aplicáveis. Qualquer uso da obra que não o autorizado sob esta licença ou pela legislação autoral é proibido. | pt_BR |
dc.description.abstract1 | The following text describes the development of affective computer interfaces that seek to provoke visual, tactile, gustatory and olfactory interactions, a process by which an external or internal stimulus causes a specific reaction that produce a perception, considering that in the deleuzian and guattarian sense (1992), an idea can thoroughly cross creative activities. For the authors, an idea arises in three distinct forms: (1) at one moment arises; (2) in the philosophical context; (3) in the form of concepts; in another moment, it appears
in the artistic production of visual artists, in which artist invents perceptions, and it also occurs with musicians because according to the authors, the musician creates affections. Considering this and artistic and design computational production, we describe below the results of collaborative research that has in common the poetics of interactivity, provided by computational processes and methods that approach different ideas involving affective cartography, body, art, nature and artificial life, wearable computers and emergency. | pt_BR |
dc.description.unidade | Centro de Estudos Avançados Multidisciplinares (CEAM) | pt_BR |
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