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dc.contributor.authorGonçalves, Gláucia Renatept_BR
dc.contributor.authorBraga, Cláudio Roberto Vieirapt_BR
dc.date.accessioned2017-12-07T05:09:19Z-
dc.date.available2017-12-07T05:09:19Z-
dc.date.issued2014-07pt_BR
dc.identifier.citationGONÇALVES, Gláucia Renate; BRAGA, Cláudio. A thousand and one voices: re-reading Scheherazade in contemporary Arab-American fiction. Ilha do Desterro, Florianópolis, n. 67, p. 79-86, jul./dez. 2014. Disponível em: <http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2175-80262014000200079&lng=en&nrm=iso>. Acesso em: 15 maio 2018. doi: http://dx.doi.org/10.5007/2175-8026.2014n67p79.pt_BR
dc.identifier.urihttp://repositorio.unb.br/handle/10482/29469-
dc.language.isoenpt_BR
dc.publisherUniversidade Federal de Santa Catarinapt_BR
dc.rightsAcesso Abertopt_BR
dc.titleA thousand and one voices : re-reading Scheherazade in contemporary Arab-American fictionpt_BR
dc.typeArtigopt_BR
dc.subject.keywordFicçãopt_BR
dc.subject.keywordDiásporapt_BR
dc.rights.licenseIlha do Desterro - This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY NC 3.0). Fonte: http://www.scielo.br/scielo.php?script=sci_arttext&pid=S2175-80262014000200079&lng=en&nrm=iso. Acesso em: 15 maio 2018.-
dc.identifier.doihttp://dx.doi.org/10.5007/2175-8026.2014n67p79pt_BR
dc.description.abstract1In the wake of multiculturalism, the canon began to make room for the literary production of several groups of immigrants. Arab-American writers, however, remained marginal. Based on the notion of diaspora and its implications, this paper intends to investigate the literary production by Arab immigrants and their descendants in the United States with a view to discussing, in particular, the representation of gender. Through a brief discussion of a few contemporary works, we intend to show that Arab-American writers operate a kind of deessentialization, that is, their works offer gender representations that virtually oppose disseminated stereotypes of Arab peoples. It is our contention that the figure of Scheherazade is revised so as to create alternatives for characters who wish to claim new roles for themselves without giving up their diasporic belonging.-
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