http://repositorio.unb.br/handle/10482/50650| Arquivo | Descrição | Tamanho | Formato | |
|---|---|---|---|---|
| ARTIGO_JornadasPerformativasReencantamento.pdf | 7,47 MB | Adobe PDF | Visualizar/Abrir | |
| ARTIGO_ PerformativeJourneysReenchantment.pdf | 5,96 MB | Adobe PDF | Visualizar/Abrir |
| Título: | Jornadas performativas para reencantamento de Mundos |
| Outros títulos: | Performative journeys for the reenchantment of Mundos (WORLDS) |
| Autor(es): | Curi, Alice Stefânia Brito, Giselle Rodrigues de Castro, Rita de Almeida |
| Afiliação do autor: | Universidade de Brasília Universidade de Brasília Universidade de Brasília |
| Assunto: | Performance Processo criativo |
| Data de publicação: | 4-Set-2023 |
| Editora: | USP |
| Referência: | CURI, Alice Stefânia; CASTRO, Rita de Almeida; BRITO, Giselle Rodrigues de. Jornadas performativas para reencantamento de Mundos. GIS - Gesto, Imagem e Som - Revista de Antropologia, São Paulo, v. 8, n. 1, e208275, 2023. DOI: https://doi.org/10.11606/issn.2525-3123.gis.2023.208275. Disponível em: https://www.revistas.usp.br/gis/article/view/208275.. Acesso em: 22 out. 2024. |
| Abstract: | In this article, we discuss the work Mundos (“Worlds”) and the process of its creation by the collective Teatro do Instante, linked to the Department of Performing Arts at the University of Brasília (UnB). With the outbreak of the COVID-19 pandemic, this creative work was reconfigured to occur without the artists’ physical co-presence, a factor that had initially been considered crucial. The interdict unfolded in an exploration that involved not only research on the poetic possibilities and synchronous presence on digital screens but also immersive taletelling into the screens of our minds. We experienced different ways of being together temporally across different distances with and without the intermediation of screens in practices such as shamanic journeys, tele(em)pathetic dialogues and experiments, automatic writing flows, dream recordings consultations, and oracular creations. We revisit and share some traces of this two-and-a-half-year process that, in one way or another, constituted what eventually became the film work Mundos. |
| Unidade Acadêmica: | Instituto de Artes (IdA) Departamento de Artes Cênicas (IdA CEN) |
| Programa de pós-graduação: | Programa de Pós-Graduação em Artes Cênicas |
| Licença: | This article is licensed under the Creative Commons CC-BY License. With this license you can share, adapt, create for any purpose, as long as you attribute the authorship of the work. |
| DOI: | https://doi.org/10.11606/issn.2525-3123.gis.2023.208275 |
| Aparece nas coleções: | Artigos publicados em periódicos e afins |
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