Título:	A mulher-árvore que uiva, arde e erra : uma escuta da poética de Alejandra Pizarnik
Autor(es):	Marra, Fernanda Ribeiro
E-mail do autor:	dizamarra@gmail.com
Orientador(es):	More, Anna Herron
Assunto:	Pizarnik, Alejandra, 1936-1972 - crítica e interpretação Poemas Literatura - crítica e interpretação
Data de publicação:	31-Mar-2021
Data de defesa:	11-Dez-2020
Referência:	MARRA, Fernanda Ribeiro. A mulher-árvore que uiva, arde e erra: uma escuta da poética de Alejandra Pizarnik. 2020. 262 f. Tese (Doutorado em Literatura)—Universidade de Brasília, Brasília, 2020.
Abstract:	This thesis proposes reading together the poems and diary of Alejandra Pizarnik (1936-1972). I understand that her literary production is inseparable from the movement she engages for life. Some formal and intensive turns of her writing follow the events of her existence. For this reason I have chosen cronology as a criterion to structure the chapters. The movement for life manifests as the excrita of the body which Jean-Luc Nancy understands in the act of writting as an address of self to self, and also as an address of others through the text. For this work, the text is what Emanuele Coccia calls a medial space, that is, the place where Pizarnik tosses words which never stop echoing and meaning. These words can be captured in the mirror that the poem is through the work of listening, a way of approaching this writting that allows poetry to vibrate trying not to stifle the possibilities that resound. In this process, the intransigent and wailful lines, the dissemination of names and pronouns, the reduced and reiterated vocabulary, the dissatisfied drive and the labyrinthine assonances give poetry the outline of a howl that comes from a wandering body which sends itself (to the moon, to the reader, to whoever listens) from its disjointed and broken condition. Listening is like being in front of a mirror, which is the text, and realizing that there is no reflection. What returns is, as Alexandre Nodari calls it, the oblique cut that crosses discursive instances (I-you) pointing to the reversibility of these places, allowing the subject to notice itself as an object, and the object (the person out of the discourse – she) to take part in the enunciative game. My hypothesis is that the radical usage of language by this author, that she treats as her “fundamental problem,” is deeply associated with the call to writing. Such a call has the purpose of connecting the body that recognizes itself as parts and also has the purpose of giving impulse to her to life, considering that living consists of the gesture of writing itself. The woman-tree é the becoming of the breath of life that this reading “by ear” recognizes in the poetry which does not buckle to the unspeakable, which does not surrender to paralysis imposed by the body without ballast and oriented to death. Aligned with Georges Bataille, the poet makes of writing her inner experience and leads the body to the utmost weakening in the name of poetry. Pizarnik ends up naming “poetic body” as a place where immiscible materialities can be as mixed as posible. In dialogue with Jacques Derrida, I propose that Pizarnik undertakes with her death the last literary gesture that would finally match language and body in this saying without words, thus, without asking forgiveness. “El Poema” is the suicide, the text-happening the poet wrote for once and for all, and that is not confused with her signature.
Unidade Acadêmica:	Instituto de Letras (IL) Departamento de Teoria Literária e Literaturas (IL TEL)
Informações adicionais:	Tese (doutorado)—Universidade de Brasília, Instituto de Letras, Departamento de Teoria Literária e Literaturas, 2020.
Programa de pós-graduação:	Programa de Pós-Graduação em Literatura
Licença:	A concessão da licença deste item refere-se ao termo de autorização impresso assinado pelo autor com as seguintes condições: Na qualidade de titular dos direitos de autor da publicação, autorizo a Universidade de Brasília e o IBICT a disponibilizar por meio dos sites www.bce.unb.br, www.ibict.br, http://hercules.vtls.com/cgi-bin/ndltd/chameleon?lng=pt&skin=ndltd sem ressarcimento dos direitos autorais, de acordo com a Lei nº 9610/98, o texto integral da obra disponibilizada, conforme permissões assinaladas, para fins de leitura, impressão e/ou download, a título de divulgação da produção científica brasileira, a partir desta data.
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