Título:	A estética do grotesco como meio para potencializar a expressividade no corpo cênico
Autor(es):	Costa Filho, Francisco Carlos Leal, Francisco
Orientador(es):	Curi, Alice Stefânia
Assunto:	Grotesco Estética teatral Expressividade Corpo cênico Corpo e arte
Data de publicação:	4-abr-2020
Data de defesa:	23-set-2019
Referência:	COSTA FILHO, Francisco Carlos. A estética do grotesco como meio para potencializar a expressividade no corpo cênico. 2019. 125 f., il. Dissertação (Mestrado em Arte)—Universidade de Brasília, Brasília, 2019.
Abstract:	This research had as a purpose the investigation of procedures that could enrich the expressivity in the scenic body through the aesthetics of the grotesque. It dialogues mainly with the theory proposed by Mikhail Bakhtin about the grotesque realism and other authors, such as Wolfgang Kayser, about the grotesque. Bakhtin associates the grotesque to the folk culture in the periods of European Middle Age and Renascence. From François Rabelais’s literary work, Bakhtin connects it to the reality of life itself, especially during parties like the Carnival, elaborating a conception of the world and a system of images in which prevails the collectivity, the ambivalence, the abundance and the joyful laughter. Buffoons and fools are the main representatives of this category, with their protuberances, excrescencies and hybridisms. The theater happens in the public markets, in plays like the farces, in Commedia dell’Arte, misteries and soties. Kayser is more associated to the romantic grotesque, an approach that isn’t so comical, more characterized by sarcasm, irony and pessimism. As common points between the authors is the manifestation of the excess, the monstrousness, the heterogeneity, as well as the recognition of the subversive nature within the grotesque. Also in dialogue with the director and pedagogue Meierhold, it was developed a theatrical praxis from the selection of one element of the grotesque realism – the “low material bodily principle” and from the idea of “looking backwards”, recognizing the grotesque in ourselves and looking for means on how to transform it into scenic expressivity. In this thesis it is also presented the notions that were used in the praxis: variations, subversion and deepness/shallowness. The research had two stages: the first one with a group of volunteer artists and the second with an actor. It was created two aesthetic experiences – the street game “Devils” and the theatrical solo “Worm”, which are approached in these pages as well.
Unidade Acadêmica:	Instituto de Artes (IdA)
Informações adicionais:	Dissertação (mestrado)—Universidade de Brasília, Instituto de Artes, Programa de Pós-Graduação em Artes, 2019.
Programa de pós-graduação:	Programa de Pós-Graduação em Artes
Licença:	A concessão da licença deste item refere-se ao termo de autorização impresso assinado pelo autor com as seguintes condições: Na qualidade de titular dos direitos de autor da publicação, autorizo a Universidade de Brasília e o IBICT a disponibilizar por meio dos sites www.bce.unb.br, www.ibict.br, http://hercules.vtls.com/cgi-bin/ndltd/chameleon?lng=pt&skin=ndltd sem ressarcimento dos direitos autorais, de acordo com a Lei nº 9610/98, o texto integral da obra disponibilizada, conforme permissões assinaladas, para fins de leitura, impressão e/ou download, a título de divulgação da produção científica brasileira, a partir desta data.
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